

Professor; Director, Latin American Studies
St. Mary's Hall 482S
Telephone: 617-552-2680
Email: ernesto.livon-grosman@bc.edu
ORCID
Latin American film, poetics, and travel writing
Research Expense Grant, Boston College, 2012 and 2013
Arts and Science Research Grant, Boston College, 2011
Teaching, Advising and Mentoring Grant, Boston College, 2007
Social Science Research Council, Distinguished Lecturers Series, Curator and Speaker at the Cuba Program, Havana, Cuba, 2002
泭(documentary), received the following awards and distinctions: Best Educational Film, Tulipanes International Film Festival, Holland, Michigan, August 2007; "Best Green / Outdoors Film," Connecticut Film Festival, May 2007; and the "Enviromental Film Award," Tenth International Festival Cinema for Human Rights, Buenos Aires, Argentina, 2008.
The visual poem,泭泭(Roberto Cignoni: Message to Humanity) was a finalist in the泭泭(category, "Focus Argentina"), Berlin, 2010, sponsored by the Goethe Institute.
Boston College Academic Technology Innovation Grant, 2008, 2009
. Edited (with introductory essays) by Cecilia Vicu簽a and Ernesto Livon-Grosman. Oxford University Press, 2009.
. Edited and with an Introduction by Ernesto Livon-Grosman. Berkeley: University of California Press, February, 2005.
. Buenos Aires: Beatriz Viterbo Editora. 2003; 2nd Ed. 2004.
. Editor and author of the introductory study. New York: Roof Books, 1997.
泭(Translated by Ernesto Livon-Grosman and Jorge Santiago Perednik.) Buenos Aires: Tres Haches, 1997.
泭(2016): a brief film about the constructivist movement that started in Argentina and Uruguay during the mid 1940s. Through a series of interviews with Carmelo Arden Quin, one of the founders of the movement, the film touches on the principles of泭MADI泭and explores the relationship between word and image in Arden Quins work.
泭(2014): this interview with the experimental Argentine film director Alberto Salom籀n泭is an integral part of The Salom籀n Project dedicated to the preservation of Salom籀ns work as a filmmaker. The project is also part of Ernesto Livon-Grosmans larger research interest in preserving and making available the work of independent and amateur Latin American filmmakers.
泭(2013):泭documentary film presenting a history of political and cultural life in Argentina of the last fifty years through the eyes of one of the country's leading senior intellectuals, Miguel 詁娶硃莽釵籀 (1926-2014), poet, publisher and artist.
泭(2007): a poetry performance that builds a narrative based on the abstract phonetic representation of different languages. The video extends this exploration through the interplay with found footage and navigates the moment of contact between word and image.
泭(2006): a documentary about the socio-economics of trash recycling in Buenos Aires, written, directed and co-produced by Ernesto Livon-Grosman.
泭(on poets泭, Roberto Cignoni, Reina Maria Rodriguez, and Raul Zurita) to the visual poetry series sponsored by the University of Pennsylvania, ".
啦堯梗泭, a series of recordings and interviews in English and Spanish with poets from South and North America, co-produced at New York University by Ernesto Livon Grosman.
啦堯梗泭, conceived and curated by Ernesto Livon-Grosman, is a digitalized edition (enriched by a new critical apparatus) of the Argentinian intellectual journal,泭XUL: Signo Viejo e Nuevo, published in the 1980s as a forum for both literary and political expression during the years of dictatorship.
Digital edition of the journal泭, a publication dedicated to experimental writing published in Paris, France during the early 1960s. The journal, which was published and directed by the泭Uruguayan artist and poet Carmelo Arden Quin, worked as a point of confluence of South American and European intellectuals interested in the intersection of writing and the visual arts. (For more information on Carmelo Arden Quin, see泭)
泭
"." Edited by Ariana Huberman and Nora Flickman. Jewish Latin American Film. University of Texas Press, 2017.
"Inside-Outside: Nicolasito Guill矇n Landri獺n織s Subversive Strategy in泭Coffea Ar獺bi"泭in泭泭eds. Elizabeth Papazian and Caroline Eades, Columbia University Press, 2016.
"," in泭La Fuga泭(online journal, Chile), special issue (Spring 2013) devoted to the Cuban poet, painter, and experimental filmmaker, Nicol獺s Guill矇n Landri獺n.
"Memorias privadas, im獺genes p繳blicas. La primera persona en dos documentales argentinos recientes,"泭泭8.29 (2008): 105-122 (special issue on the theme, "Entre-discursos: medios masivos, literatura y pol穩tica en la cultura latinoamericana").
Filming Dissent Across the Atlantic: Havana Engages Paris. Guest lecture, Niagara University, Niagara, New York, March 31, 2016.
Debord, the Tropics and the Making of the New Latin American Cinema. American Comparative Literature Association (ACLA), Harvard University, Cambridge, March 20, 2016.
Im獺genes residuales. Reuni籀n de Antropolog穩a del MERCOSUR, Montevideo, Uruguay, December 1, 2015.
Panel on Nicolasito Guill矇n Landri獺ns Films, Respondent, LASA, San Juan, Puerto Rico, May 29, 2015.
Argentinas Amateur Film and the Making of the Fifth Cinema: A Case Study. Society for Film and Media Studies, Montreal, March 27, 2015.Two panel presentations with screenings of泭泭and泭泭at泭the Finger Lakes Environmental Film Festival (), Ithaca College, April 4, 2014.
"Documentary Film," graduate seminar, University of Buenos Aires, Facultad de Medios y Comunicaciones, June 2013.
"All in the Family: Nicolasito's Other Way," John Hopkins University, Program in Latin American Studies, Baltimore, Maryland, April 4, 2013.
Mapping the Americas, Dr. Milton Ellis Memorial Event, University of Maine, Orono, Maine, October 4, 2012.
Looking Out to See In: Nicolasito Guill矇n Landri獺ns Other Strategy, Caribbean Philosophical Association, Rutgers Univeristy, New Brunswick, September 30, 2011.
Recent Trends in Latin American Cinema, panel co-organizer and paper presenter. Latin American Studies Association (LASA) Twenty-ninth International Congress, Toronto, Canada, October 6, 2010.
"" (see above), screening and lecture. Annual Espresso Film Festival, Vienna, Austria, August 13, 2010.
, Visible Evidence: Seventeenth Annual International Conference on Documentary Film and Media, Istanbul, Turkey. August 11, 2010.
Cartoneros screenings, with public lectures, of documentary film (see above) at the following venues: Aston University, Birmingham, UK, April 28, 2009;泭, April 9, 2009 (annual Spring Arts and Lecture Series); University of California at Irvine, April 11, 2009 (Cultures of Democracy" series); the泭泭(LLILAS), University of Texas, March 24, 2009; the Embassy of Argentina, Washington, DC, as part of the , March 13, 2009;泭, April 15, 2010. Program in Latin American Studies,泭, April 4, 2013.
Revoluci籀n y pop en en la obra de un documentalista cubano. Presented at the Onzi癡me Colloque international du CRICCAL, 16-18 octobre 2008, Paris, on the theme, "Transam矇riques: Les 矇changes culturels continentaux."