吃瓜网

Matthew Clemente is the Director of Research & Curriculum at听Center for Psychological Humanities & Ethics听and an听Assistant Professor of the Practice in the Department of Formative Education at Boston College. He is the Coeditor in Chief of the听Journal for Continental听Philosophy of Religion听and the Codirector of the听Guestbook Project, a 501c3 non-profit. He is the Series Editor of two book series with听Routledge/Taylor & Francis and has authored or edited over a dozen books.

Nieves Acedo is a research fellow in the "V铆nculos, creatividad y cultura" (Bonds, Creativity, and Culture) group of the Institute for Culture and Society, where she serves as the principal researcher for the "Models for Art Spectatorship" project. She is also the Director of the Master's Degree in Curatorial Studies at the Museo Universidad de Navarra and a Lecturer in Art Theory at the School of Humanities and Social Sciences. An author of more than twenty pieces (books, book chapters, and articles) on modern art theory, she holds a degree in Geography and History from Complutense University, a degree in Philosophy from the University of Navarra, and a PhD in Art History from San Pablo CEU University.

Jeronimo听Ayesta听is a听Ph.D听candidate at the Boston College Philosophy Department. He听double-majored听in Philosophy and Journalism at the University of Navarra. In 2022, he obtained a First-Class Honours Master of Arts in Film Studies from King鈥檚 College London. His areas of interest include hermeneutics, the history of 20th-century philosophy, Philosophy of Religion, Virtue Ethics, and Film Philosophy (with a focus on 脡ric Rohmer). He has听published four听book听reviews, two听book听chapters, and one peer-reviewed article,听and has presented papers in听more than twenty academic听conferences.

Dailey Fern谩ndez Gonz谩lez.听Doctor of Arts and Humanities and Master's Degree in Curatorial Studies from the University of Navarra. Art Historian from the University of Havana. In December 2024, she defended her doctoral thesis entitled, 鈥楾he phenomenon of participation as a social and aesthetic problem in the Ibero-American sphere.鈥� With an academic and professional career focused on contemporary art in the Caribbean, Latin America, and Spain. Her main areas of interest include the performing arts, cinema, and socially and politically articulated artistic practices. Her work explores the aesthetic experience and impact of these manifestations on the public, combining critical analysis with an interdisciplinary perspective.

In茅s Olza is a Senior Researcher in Language and Cognition at the Institute for Culture and Society (ICS) of the University of Navarra, where she serves as Principal Investigator of the Bonds, Creativity and Culture group, and as director of the Multimodal Pragmatics Lab (MuPra Lab), which focuses on the dynamics of human interaction and mediation. She also coordinates the national network CoCoMInt (鈥淐onflict Communication and Mediation in Interaction鈥�), which brings together 11 research teams from 10 Spanish universities. She is a member of Red Hen Lab, a distributed laboratory for research on multimodal communication, the Pamplona node of PRESEEA, and the Iberus Action Cluster 'Cognition in Action' (ICON). Her research focuses on figurative language, gesture, phraseology, and interactional dynamics from the perspectives of Pragmatics, Cognitive Linguistics, and Multimodality.

Gabriel P茅rez-Barreiro is Artistic Director of the Museo Universidad de Navarra in Spain. He was Director and Chief Curator of the Colecci贸n Patricia Phelps de Cisneros from 2008鈥�2018, and is currently Senior Advisor.听听He was Curator of the 33^rd听S茫o Paulo Bienal in 2018 and curator of the Brazilian pavilion at the 58^th听Venice Biennale in 2019. From 2002鈥�2008 he was Curator of Latin American Art at the Blanton Museum of Art, The University of Texas at Austin. In 2007 he was Chief Curator of the 6^th听Mercosur Biennial in Porto Alegre, Brazil.听听He holds a PhD in Art History and Theory from the University of Essex, and an MA in Art History and Latin American Studies from the University of Aberdeen.听听From 2000-2002 he was Director of Visual Arts at The Americas Society in New York.听听Prior to that he was Exhibitions and Programs Coordinator at the Casa de Am茅rica in Madrid.听听From 1993 to 1998 he was Founding Curator of the University of Essex Collection of Latin American Art.听听He has published and lectured widely on modern and contemporary art from Latin America. He is a member of the collective听ESTAR(SER), the Esthetic Society for Transcendental & Applied Realization.